Review of Taro Izumi at Palais de Tokyo, Paris, in Flash Art no. 314, May 2017
Review of Placed Someplace with Intent, Dvir Gallery, 2017, in art-agenda
Interview with Andrea Lissoni, on Philippe Parreno ‘Anywhen’ at Tate Modern, 2017, in Mousse, no. 55
Review of Jordan Wolfson, New York, 2016, in Mousse, no. 54
Review of Nicole Eisenman, Andra Ursuta and Goshka Machuga solo shows, New Museum, New York, 2016, in Elizabeth Xi Bauer
Review of the 6th Marrakech Biennale ‘Not New Now’, in Mousse, no. 53, April-May 2016
‘Copy+Paste: The Collagistic Qualities of ‘Post Internet’ Video Work’, 2016, in Elizabeth Xi Bauer
Review of Mona Hatoum retrospective, Centre Pompidou, Paris, November 2015, in ARTnews
Review of Nira Pereg The Right to Clean, Anna Ticho House, Jerusalem, November 2015, in ARTnews
Review of Oliver Laric, CCA, Tel Aviv, October 2015, in ARTnews
Review of Ohad Matalon ‘Photo Op’, Tel Aviv Museum, 2015, in ART PULSE, no. 22 vol. 6
Review of Dor Guez ‘The Architect’, CCA, Tel Aviv, October 2015, in ArtReview
Review: London Round Up, Art Monthly, no. 388, July-August 2015
Letter from Tel Aviv, Art Monthly, no. 388, July-August 2015
Review: London Round Up, Art Monthly, no. 387, June 2015
Review of Vlatka Horvat show, Zac/Branicka, Berlin, May 2015, in Frieze
Review of Lactose Intolerance, Simon Fujiwara, Dvir Gallery, Tel Aviv, 2015, in art-agenda
Review of Hiding Wood in Trees, Ariel Schlesinger and Wilfredo Prieto, CCA, Tel Aviv, in Frieze, no. 170, April 2015
Interview with Luke Fowler and Mark Fell, previewing their show ‘To the Editor of Amateur Photographer‘, The Modern Institute, Glasgow, 2015 , in Mousse
Interview with Morgan Fisher, previewing his show Past Present, Present Past, Maureen Paley, London, 2015, in Mousse, no. 46
The melting pot: Parafiction Art in Israel and Palestine, in JAWS, Volume 1 Number 2015
Who’s Still Afraid of Video Art?, 2014, in ArtSlant
Review of Korakrit Arunanondchai with boychild and AJGvojic: The Last 3 Years and the Future, ICA Off-Site, london, 2014, in ArtReview
Review of Entangled 2 (Theatre II), Lindsay Seers, Matt’s Gallery, London, 2014, in ArtReview
Review of Folklore, Ritual and the Modern Interior (1955 – 1975), Robert Holcombe, Xero, Kline & Coma, London, 2014, in ArtReview
Review of Mouthfeel, Maryam Jafri, Gasworks, London, 2014, in ArtReview
Review of Dalston Anatomy, Lorenzo Vitturi, Photographers’ Gallery, London, 2014, in ArtReview
Review of What’s the point of it?, Martin Creed, Hayward Gallery, London, January 29, 2014 – May 5, 2014, in ArtSlant
Review of The Pale Fox, Camille Henrot, Chisenhale Gallery, London, 2014, in ArtSlant
Review of Yes, These Eyes are the Windows, Saskia Olde Wolbers, Artangel, 87 Hackford Road, London, 2014, in ArtSlant
Review of Ed Atkins solo exhibition, Serpentine Sackler Gallery, London, 2014, in ArtSlant
Review of SCAPEGOATING PICTURES for London, Gilbert & George, White Cube, Bermondsey, London, 2014, in ArtSlant
Phenomenological Architecture in the Installations of Nadav Weissman, on the artist’s website
Hebrew reviews and essays:
Review of Skulptur Projekte, Munster,2017, in Erev Rav
Review of Documenta 14, Kassel, 2017, in Erev Rav
Review of Einat Amir ‘Pragmatic Failure‘ and Public Movement ‘The Interview‘, as part of ‘Motions for the Agenda’, Artport TLV, Tel Aviv,2017, in Erev Rav
Review of The 57th Venice Biennale, 2017, in Erev Rav
Review of Netaly Aylon solo show, The Artist Studio,2017, Tel Aviv, in Erev Rav
Review of Documenta 14, Athens,2017, in Erev Rav
Interview with Tommy Hartung, for his solo show Lilith at Braverman gallery, 2017, in Erev Rav
Review of Michal Heiman ‘AP – Artist Proof, Asylum (The Dress, 1855-2017)’, at Herzliya Museum of Contemporary Art, 2017, in Erev Rav
Review of the 6th Drawing Biennale, Jerusalem, 2016, in Erev Rav
Video documentation of my lecture about the creation of fictive personas in contemporary art, at the 1th Jerusalem Symposium for Art, 2016
Review of Keren Gueller Florence Syndrome at Rawart, 2016, in Erev Rav,
Review of Abstract Relief, group show at Tel Aviv University gallery, 2016, in Erev Rav
Review of Maya Zack show ‘Counterlight’, Tel Aviv Museum, 2016, in Erev Rav
Interview with Yasmil Raymond, 2016, in Erev Rav
Review of 5 – Group Show, Gabirol, Tel Aviv, 2016, in Erev Rav
Review of Nicole Eisenman, Goshka Macuga and Andra Ursuta shows, New Museum, NY, 2016, in Erev Rav
Review of the 6th Marrakech Biennale ‘Not New Now’, 2016, in Erev Rav
Review of Rinat Schnadower ‘Galia Yahav – Self Portrait’, Rosenfeld Gallery, Tel Aviv, 2016, in Erev Rav
Review of Adam Kaplan, Hayarkon 19, Tel Aviv, 2016, in Erev Rav
Review of Maya Dunietz ‘Sound Requires a Medium’, CCA, Tel Aviv, 2016, in Erev Rav
Review of Guy Avital, Chelouch Gallery, Tel Aviv, 2015, in Erev Rav
Review of Public Movement National Collection, Tel Aviv Museum, 2015, in Erev Rav
Review of Matan Mittwoch, Dvir Gallery, Tel Aviv, 2015, in Erev Rav
Review of the 2015 Venice Biennale satellite shows, in Erev Rav
Review of 512 Hours, Marina Abramović, Serpentine Gallery, London, 2014, in Erev Rav
Introduction to Parafiction Art, 2014, in Alaxon
Review of The Workshop, Gilad Ratman, Israeli pavilion, 55th Venice Biennale, 2013, in Erev Rav
Review of Stifter’s Dinge, Heiner Goebbels, Artangel, Ambika P3, London, 2012, in Erev Rav
Phenomenological Architecture in the Installations of Nadav Weissman, on the artist’s website
